An example of how a balance between experimentation and beign addictive is possible (…) MUZIKALIA Redacción
Since Tilde formed in 2009 (with two EPs and two albums after that) Lluvi Farré, Mati Pando, Carlos Sánchez, Carla Suzart and Mario Vélez have defined a very idiosyncratic way of composing songs. This way comes to fruition in their gorgeous third studio release, ‘Algae’ (2020).
Recorded live and without artifice, the Barcelona band manages to strike a difficult balance between subtlety and accuracy. Moving in countercurrent direction at all times, Tilde write up metrics and chronicles from the sidelines, drawing on song structures as unpredictable as they are rich in harmonies. These structures accommodate their very personal writing style, one which seems to be in constant search for disambiguation and which lays out a double figurative plane before our eyes. The album’s intimately reflective songs are projected onto this plane through a humble voice that is both conscious and flame-throwing.
If in ‘Animares’ (2017) we discovered a band that stood out for their bravery, in Algae Tilde have shown us their most lyrical and Andalusian side, while putting their finger on a sore spot of towering proportions. A mammoth-like effort that expands in multiple directions.